Production

The musical and dramaturgical concept of the virtuoso pianist Cecilia Li and the choreographer Sebastian Prantl linked choral leitmotifs with solo theatrical events. [Details…]

Anteprima [Details…]

“Land Body Scape” defines the (stage) space by a universal dance and music language paired with film and light installations. [Details…]

“Land Body Scape” defines space (stage) by means of universal dance and music language which is enhanced by film and light images. [Details…]

The choreographic endeavour follows the concept of Nō-Theater wherein kinaesthetic material is being distilled in a continuously alert fashion by pulling softly on a string – like unravelling knitwear. [Details…]

The title the Dreaming of Bones (W.B. Yeats) takes up a universal topic life and death and suggests a journey into the “hollows” of human fantasy. [Details…]

Myth and logic are still unseparated.
Metaphysics swings on the periphery of poetry.
Pictures of language flow into the music of movement. [Details…]

Sebastian Prantl and Lawrence Casserley are innovators in their chosen media. Each has explored collaboration between visual and sonic media in which the two are in counterpoint rather than one being the slave of the other. [Details…]

Sebastian Prantl’s dance work consists of the formula to find expressions for time and space with a multitude of body wear. [Details…]

Dance as medial energy between spiritual guidance, old-fashioned Catholic rituals and the audience: since the new millenium at the latest has experienced enthusiastic growth and new understanding in the context of European church liturgy, too – by clerical growth, especially from the “Third World”.

[Details…]